María Oriza had intended to study art at university, but bureaucracy prevented her from doing so in Madrid, where she wished to remain. So instead, she eventually chose ceramics. At first, she knew nothing about it, but she was quickly captivated by the potter's wheel and the process of using oxides to make colours. “I felt immediately that I was profoundly connected to clay and stoneware,” she says. She was also interested in drawing and sculpture, and tried to merge both techniques. She now makes wall pieces and installations, creating volume by cutting, joining, bending and folding planes, while searching for symmetry and simplicity.
María Oriza