Greek heritage thrown into experimentation
- Ioanna is inspired by textures found in nature
- Her final pieces are the result of various experimentations
- For her, the art of ceramics is constantly evolving
After studying graphic design at Vakalo Art & Design College in Athens, and photography and art at seminars, Ioanna Papouli attended her first ceramics course in 2014. She immediately fell in love with the craft and the potter’s wheel, and began attending ceramic lessons, which included hand building techniques and clay and glaze technology. In December 2019, she relocated her home-based studio and opened her workshop Yi (Earth) Ceramics in the centre of Athens. There, she experiments with techniques and textures on ceramic surfaces, whether in the way she treats the clay itself or by using different glazing reactions. Her work is highly influenced by ancient Greek vessels, especially the ones created by Minoan artists (Crete, circa 1500 BC). Ioanna is also fascinated with local soils and minerals, and often incorporates wild findings in her projects.
INTERVIEW
There is a kind of magic in the ceramic process. A fistful of clay, the humblest material that is everywhere you look, is transformed into anything you want. Earth, water and fire help create something unique. And then, when you open the kiln, the joy is enormous.
I was really young, about ten years old, when I visited a ceramic studio on the island of Paros. Stelios Gkikas of Yria Ceramics, a great ceramicist, was working on the potter’s wheel. I immediately fell in love with the art of wheel throwing.
I learned the ceramic craft from Giorgos & Andreas Mitsios (father and son) at the local municipality of Nikea. They are both experienced artisans with a passion for experimentation. They helped me cultivate this passion too. Sofia Veletza helped me expand my knowledge on glaze technology.
Living in Greece, I was introduced to ancient artefacts from an early age. This has led me to naturally incorporate ancient forms in my projects. My design studies guided me to a more minimalistic style, and my love for Asian cultures has inspired me to create altered forms and surfaces.
