Far from imitation
- Umay was the first to set up a professional ceramics workshop in Azerbaijan
- She lets her feelings inspire her creations
- Her objects stand out for their colours
There are craftspeople who know from the very beginning which will be their material of choice, and there are others who discover their craft by chance. Umay Abdullayeva belongs to the latter, as she entered the arts academy without knowing much about ceramics. But an encounter with clay captivated Umay and she immediately knew that she would dedicate herself wholly to ceramics. She experimented with mosaics and tiles, then ventured into conceptual ceramics, making numerous cups, vases, mirrors and jewellery. She learned her techniques from a master in ceramics, who still guides her today. She does not wish to imitate others' designs or approaches, instead preferring to draw inspiration from exchanges with people, feelings and the architecture of Baku.
INTERVIEW
When I entered the academy, I did not even know that there was such a field as ceramics. But once I came into contact with clay, I immediately knew I would choose it. What I felt when I physically touched the clay was very important.
Ceramics is an art that cannot be imitated because every hand is different and although artisans use the same techniques, different results emerge. I never compare myself with others. I would say my uniqueness comes from my use of colour.
Mostly people, communication and interesting old buildings. I benefit from communication with myself and ideas born from relationships with people. I also like the ancient architecture in Baku, such as historical doors, which I try to reflect in my ceramics.
Be prepared for every outcome – breaking or coming out of the kiln distorted. Do not get discouraged: 5 to 10% of ceramics depend on the kiln. Be patient, it is in the nature of this craft. Keep going until you acquire beautiful results.
