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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; 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They studied in their countries of origin, respectively Israel and Belgium, but both also gained experience in Germany. Their workshop is located in an old warehouse in Antwerp. “I started to make gemstone works with self-made machines assembled from scrap, broken machines and DIY tools,” says Octave. “I then joined his atelier, bringing along a few old-fashioned stone cutting machines,” adds Dana. At first, Dana and Octave focused on their individual works and only took on a few commissions together. “While collaborating, we discovered common interests in the craft,” they explain. And thus was born Studio DO. The name refers to their initials, the act of doing and the acronym for ‘domestic objects’.","craft",[663],"Lapidary","destinations",[666,667],"Belgium","Antwerp","tags",[670,671,672],"Decorative","Creative duos","Functional","objects",[675,676,677,678,679],"Dalmatian Landscape vase","Gemma ex Lapide (quartz)","Gemma ex Lapide","Sodalite Tulip vase","Smoky Schnapps","materials",[682,683,684,685,686,687,688,689,690,691],"Steel","Stone","Brass","Silver","Jasper","Stainless steel","Clear quartz","Metals","Minerals","Gemstones","categories",[694,695,696,697,698,699,700,701,702,703],"Vase","Necklace","Ring","Carafe","Decorative objects","Jewellery and watches","Serving ware","Decoration","Mode","Table and kitchen","has-experiences","type-of-artisan",[707],"Artisan","craft_person",[710],"Lapidarist","craft_metier",[663],"latitude",51.23242,"longitude",4.42285,"content_edit_date","2026-05-01T09:25:18.000+0000","city_and_country","Antwerp, Belgium","is_new_until","2023-02-02","_geo",{"_725":714,"_726":716},"lat","lng","order",4742,{"_649":730,"_31":731,"_652":732,"_255":736,"_378":737,"_659":738,"_661":739,"_664":741,"_668":742,"_673":746,"_680":753,"_692":759,"_704":38,"_705":766,"_708":767,"_711":769,"_713":770,"_715":771,"_717":772,"_719":720,"_721":773,"_723":774,"_727":775},"profile-1120",1120,[733,734,735],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXdcWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXdaWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXdeWAG-right2.jpg","James Lethbridge","james-lethbridge-glass-sculpting-belgium","Originally choosing a life in ceramics in his native Yorkshire, James Lethbridge soon grew dissatisfied and turned to glass. In 2007 he graduated with a master's degree in Glass & Ceramics from the RCA in London. “I am primarily self-taught through persistence, trial and error, and stealing skills with my eyes,” he says. Now based in Antwerpen, James makes vessels, sculptures and chandeliers with the flameworking technique he has developed and innovated. In working with glass, “you understand that you can bend the material to your will, to such an extent that you can express your designs and concepts”. In his case, designs and concepts are a surrealist natural world, with microscopic pollen, twisting vines and unseen vortexes, the infinite complexity of life.",[740],"Glass sculpting",[666,667],[743,670,744,187,745],"First generation","Glass","Self-taught",[747,748,749,750,751,752],"Four Acanthus Veronese","Jovian Flower","Acanthus Veronese","Empoli in Blue","Virus","Acanthus in Gold",[744,754,755,756,757,758,690,689],"Silicate colours","Gold Leaf","Silver leaf","Cobalt","Wood",[760,761,762,763,698,764,701,765],"Vessel","Artificial flower","Jar","Sculpture","Monuments","Architecture",[707],[768],"Glass sculptor",[740],51.21605,4.4272,"2026-04-22T14:16:00.000+0000","2023-01-12",{"_725":770,"_726":771},5645,{"_649":777,"_31":778,"_652":779,"_255":782,"_378":783,"_659":784,"_661":785,"_664":787,"_668":788,"_673":795,"_680":801,"_692":802,"_704":38,"_705":804,"_708":805,"_711":807,"_713":808,"_715":809,"_717":772,"_719":720,"_721":810,"_723":811,"_727":812},"profile-1108",1108,[780,781],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRwnWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRwlWAG-left1.jpg","Ann Cox","ann-cox-jewellery-making-belgium","What defines the work of glass jewellery maker Ann Cox is its vibrant colours. “I am always bursting with all kinds of ideas for new creations, with everyday activities as an inexhaustible source of inspiration, but colour is the one element that always comes back,” she says. “I see colour as a spark of joie de vivre that I love to share with others.” Her style also reflects certain architectural characteristics. “People often ask me if I studied architecture, which I understand, but I haven’t actually. I found my style by experimenting with different types of designs and by truly being attentive to everything around me, all the different colours and textures.” Ann started her own brand in 2014 and you can now find her designs all over the world.",[786],"Jewellery making",[666,667],[743,789,672,790,791,792,793,794],"Fashion","Innovation","Jewellery","Mixing cultures","Mentored","Traditions",[796,797,798,799,800],"Classic 5","Diva","Big Splash","Arrow","Twin (necklace)",[744,682,755,689],[695,803,699,702],"Earring",[707],[806],"Jewellery maker",[786],51.18707,4.42892,"2022-09-15",{"_725":808,"_726":809},3205,{"_649":814,"_31":172,"_652":815,"_255":819,"_378":820,"_659":821,"_661":822,"_664":824,"_668":825,"_673":830,"_680":834,"_692":838,"_704":49,"_705":841,"_708":842,"_711":844,"_713":845,"_715":846,"_717":847,"_719":720,"_721":848,"_723":849,"_727":850},"profile-747",[816,817,818],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPciWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPcgWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPckWAG-right2.jpg","Patrick Pevernagie","patrick-pevernagie-knife-making-belgium","Factory robots can in a relatively short time make hundreds of perfect knives, but these products won’t have a true personality. Artisanal knife maker Patrick Pevernagie on the other hand is proud to underline that his own creations are imperfect, but that he gives them a soul as he slowly turns the steel into a knife. He even named his studio near Antwerp iPKnives, short for ‘imperfectly Perfect Knives’. Imperfect though they are, Patrick's knives are efficient kitchen tools that look great and are made to last. “As a passionate hobby cook, I know very well how a knife should perform. Design-wise, I love to think out of the box. My creations are functional pieces of art, which perfectly fit in with all the trendy and colourful appliances in modern kitchens.”",[823],"Knife making",[666,667],[826,743,672,827,828,829,794],"Art de la table","Interiors","New career","Teacher",[831,832,833],"Modern Santoku kitchen knife","Table knives with octagonal handle","Juma Golden Dragon knife handle",[835,836,682,758,837,689],"Carbon steel","Acrylic","Synthetic materials and resins",[839,840,703],"Knife","Coffee and tea",[707],[843],"Knife maker",[823],51.28885,4.44253,"2026-05-01T09:25:31.000+0000","2022-08-04",{"_725":845,"_726":846},4738,{"_649":852,"_31":853,"_652":854,"_255":858,"_378":859,"_659":860,"_661":861,"_664":862,"_668":863,"_673":864,"_680":870,"_692":871,"_704":38,"_705":873,"_708":874,"_711":875,"_713":876,"_715":877,"_717":847,"_719":720,"_721":878,"_723":879,"_727":880},"profile-779",779,[855,856,857],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWrlWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWrjWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWrnWAG-right2.jpg","Clarisse Bruynbroeck","clarisse-bruynbroeck-jewellery-making-belgium","Clarisse Bruynbroeck has been passionate about art and architecture since she was a child. A growing fascination for daily objects and the human body led her to study art jewellery design. The influence of fine art, design and architecture has always remained very important for her work. Clarisse uses traditional techniques in her own personal way. She also likes to accentuate the simplicity of daily life in her objects, which she does by leaving visible marks of the techniques she uses, like that of the blow of a hammer or of a soldering point. “I don’t aim for perfection at all, imperfections for me actually have an added value. I want to highlight the human touch in my work.” Clarisse founded her studio Woche, in Antwerp, in 2016.",[786],[666,667],[743,789,672,790,791,794],[865,866,867,868,869],"When WOCHE meets GRAANMARKT13","N2-N3","R4-S","R13-5-S (collection When WOCHE meets GRAANMARKT13)","N1-BS",[685,684,689],[872,695,696,699,702],"Bracelet",[707],[806],[786],51.19923,4.44122,"2022-07-14",{"_725":876,"_726":877},4722,{"_649":882,"_31":883,"_652":884,"_255":888,"_378":889,"_659":890,"_661":891,"_664":893,"_668":894,"_673":897,"_680":902,"_692":910,"_704":38,"_705":917,"_708":918,"_711":920,"_713":921,"_715":922,"_717":923,"_719":720,"_721":924,"_723":925,"_727":926},"profile-1075",1075,[885,886,887],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POyvWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POywWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POyxWAG-right2.jpg","Nathalie Van der Massen","nathalie-van-der-massen-weaving-belgium","When Nathalie Van der Massen finished her master's in Graphic Design, she got the chance to work at the TextielMuseum in Tilburg. There she was so inspired by all the techniques and materials that she decided to do another master's in Textile Design. After graduating she was invited to do research inspired by the archives of the Flanders Architecture Institute, which functioned as a catalyst to focus on textiles in the context of architecture and interiors. She also did internships in the fashion industry with Christian Wijnants and Hilde Frunt. At first she was combining graphic jobs with her own creative practice until 2018 when she decided to start her own design studio at Haptic House, a creative coworking space in Antwerp.",[892],"Weaving",[666,667],[670,789,827,793,895,794,896],"Paper","Visual Arts",[898,899,900,901],"Prototype","Dimanche","Studio","Sverige",[903,904,905,906,895,907,908,909,837,758],"Linen","Trevira","Rubber","Cotton","Silk","Ash wood","Fibres and textiles",[911,912,913,914,915,698,916,701],"Woven fabric","Wall decor","Room divider","Fabrics","Wall decorations","Home textiles",[707],[919],"Weaver",[892],51.22044,4.45602,"2026-05-01T09:25:37.000+0000","2021-09-30",{"_725":921,"_726":922},5037,{"_649":928,"_31":929,"_652":930,"_255":934,"_378":935,"_659":936,"_661":937,"_664":939,"_668":940,"_673":942,"_680":943,"_692":944,"_704":38,"_705":945,"_708":946,"_711":948,"_713":949,"_715":950,"_717":772,"_719":720,"_721":951,"_723":952,"_727":953},"profile-1092",1092,[931,932,933],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO1rWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO1pWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO1tWAG-right2.jpg","Wouters & Hendrix","wouters--hendrix-goldsmithing-belgium","Katrin Wouters and Karen Hendrix first met at Antwerp’s Royal Academy of Fine Arts. Here they developed their understanding of wearable art under the guidance of the jewellery department. As goldsmiths, they focused on conceptual forms and unique pieces. As part of the graduating class that produced the legendary Antwerp Six, they had the vision to move beyond the classic designs and conventional methods. Since the start of the brand in 1984, Wouters & Hendrix has created wearable sculptures that are defined by unexpected combinations of materials, old-world techniques and time-honoured craftsmanship.",[938],"Goldsmithing",[666,667],[941,671,791],"Atelier",[],[],[],[941],[947],"Goldsmith",[938],51.1985,4.42985,"2021-09-02",{"_725":949,"_726":950},3636,{"_649":955,"_31":956,"_652":957,"_255":961,"_378":962,"_659":963,"_661":964,"_664":966,"_668":967,"_673":971,"_680":977,"_692":983,"_704":38,"_705":986,"_708":987,"_711":989,"_713":990,"_715":991,"_717":923,"_719":720,"_721":992,"_723":993,"_727":994},"profile-1076",1076,[958,959,960],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSVNWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSVLWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSVPWA4-right2.jpg","Natalie Van Lijsebettens","natalie-van-lijsebettens-shoemaking-belgium","As a teenager, Natalie Van Lijsebettens already dreamed of being a shoemaker. After her studies in eastern European languages and culture, she took a course in artisanal shoemaking in the Netherlands. Afterwards she had the luck of meeting Frans Verbeeck, a retired master shoemaker, who really wanted to pass on his knowledge. Before starting Collectif d’Anvers in 2008, she made shoes at home. The finishing touches were done in the shoe repair shop belonging to her uncle. Over the years, Natalie specialised in fusing refined materials with the raw side of shoemaking. She likes to be open-minded and inclusive, for example making men’s models for women or high heels for men, as well as classical models.",[965],"Shoemaking",[666,667],[789,968,672,969,793,970,794],"Heritage","Lifestyle","Mixed media",[972,973,974,975,976],"Agnetha","Voodoo","Olga","Cirque Magnifique","The Old Lady",[978,979,980,758,981,982,909],"Fur felt","Leather","Canvas","Fabric","Animal materials",[984,985,702],"Boots","Shoes",[707],[988],"Shoemaker",[965],51.20573,4.40514,"2021-06-03",{"_725":990,"_726":991},4648,{"_649":996,"_31":997,"_652":998,"_255":1002,"_378":1003,"_659":1004,"_661":1005,"_664":1006,"_668":1007,"_673":1008,"_680":1014,"_692":1019,"_704":49,"_705":1021,"_708":1022,"_711":1023,"_713":1024,"_715":1025,"_717":772,"_719":720,"_721":1026,"_723":1027,"_727":1028},"profile-1118",1118,[999,1000,1001],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNgWWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNgUWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNgYWAW-right2.jpg","Rembrandt Jordan","rembrandt-jordan-jewellery-making-belgium","After finishing his training at the Royal Academy of Fine Arts in Antwerp, Rembrandt Jordan continued his studies at the Royal College of Art in London. During these years, masters such as Jean Lemmens, David Watkins and Michael Rowe trained him as a woodworker, musician, sculptor and silversmith. When he opened his gallery in 2006, he downsized the dimension of his creations into jewellery. “I consider myself as a sculptor who likes to play with duality, rhythm and scale. Miniature sculptures serve as jewellery, whilst large works lend a sense of rhythm to a wall. I’m fascinated by making the invisible space visible, and revealing the energy of spaces. Doing so, I create a new kind of space.”",[786],[666,667],[743,670,789,791,970],[1009,1010,1011,1012,1013],"Rotar 6","Triple Square","Look into my Eye","Square 4 squared","Hidden Secret 3",[744,1015,1016,1017,1018,682,689,690],"Sterling silver","Gold","Rose gold","Quartz",[1020,872,696,699,702],"Brooch",[707],[806],[786],51.2210370474579,4.40333183278591,"2021-03-04",{"_725":1024,"_726":1025},4041,{"_649":1030,"_31":1031,"_652":1032,"_255":1036,"_378":1037,"_659":1038,"_661":1039,"_664":1041,"_668":1042,"_673":1043,"_680":1050,"_692":1052,"_704":38,"_705":1053,"_708":1054,"_711":1056,"_713":1057,"_715":1058,"_717":847,"_719":720,"_721":1059,"_723":1060,"_727":1061},"profile-758",758,[1033,1034,1035],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNldWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXlXWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXlYWAW-right2.jpg","Sabrina Transiskus","sabrina-transiskus-paperworking-belgium","Paper artist Sabrina Transiskus won't stop working on something until she feels she's made it as good as it can be. Her tools are very simple: a segment blade cutter, some glue and her own hands. She cuts everything herself in what is perhaps a rather old-fashioned way of working, but it's very important to her, since she considers it part of the creative process. For example, she may be taken in a different direction than planned if a piece of paper that was supposed to go in the bin ends up looking better than the actual cut-out. Sabrina believes that people who create something with their hands put a little bit of their soul into their work, and it's this that makes handmade products such an antidote to our fast moving, ready-made consumer world.",[1040],"Paper art",[666,667],[743,670,187,828,895,896],[1044,1045,1046,1047,1048,1049],"Galop Ambitieux","Keyboard","L'Ombre","Fleurs de Flore","My Christmas","Me, Myself, and Ei",[895,1051],"Porcelain",[763,764,765],[707],[1055],"Paper artist",[1040],51.21472,4.4391,"2020-09-15",{"_725":1057,"_726":1058},2748,{"_649":1063,"_31":1064,"_652":1065,"_255":1069,"_378":1070,"_659":1071,"_661":1072,"_664":1074,"_668":1075,"_673":1077,"_680":1083,"_692":1084,"_704":38,"_705":1086,"_708":1087,"_711":1089,"_713":1090,"_715":1091,"_717":1092,"_719":720,"_721":1059,"_723":1093,"_727":1094},"profile-1105",1105,[1066,1067,1068],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQE3WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXIzWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXJ1WAO-right2.jpg","Helena Schepens","helena-schepens-silversmithing-belgium","Helena Schepens discovered her passion for metalwork during a course at secondary school. “I loved the repetitive action of hammering, and how I felt the shape developing under my hands.” She later studied jewellery and silversmithing at the Royal Academy of Fine Arts Antwerp before taking a master’s at the Royal College of Art in London. “In my objects, I create a structure that reveals the image and its shadow on the wall or on the underlying surface, as two equal principles,” she says. “Through this idea, as well as through the balance between the massive and openworked parts, I try to emphasise the underlying connection between two opposite concepts.”",[1073],"Silversmithing",[666,667],[743,670,1076,672,183],"Homo Faber 2018",[1078,1079,1080,1081,1082],"Cavinula","Hole Bowl VII","Tricotado II","Ellerbeckia","Echo",[1015,685,689],[763,760,1085,764,698,765,701],"Bowl",[707],[1088],"Silversmith",[1073],51.21216,4.43894,"2026-04-27T10:03:33.000+0000",{"_725":1090,"_726":1091},790,{"_649":1096,"_31":1097,"_652":1098,"_255":1102,"_378":1103,"_659":1104,"_661":1105,"_664":1106,"_668":1107,"_673":1108,"_680":1114,"_692":1119,"_704":38,"_705":1125,"_708":1126,"_711":1127,"_713":1128,"_715":1129,"_717":847,"_719":720,"_721":1130,"_723":1131,"_727":1132},"profile-775",775,[1099,1100,1101],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUIZWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUIaWAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUIbWAO-right2.jpg","Max Gielis","max-gielis-silversmithing-belgium","Max Gielis trained as a silversmith and jeweller at St. Lucas School of Arts in Antwerp. For over ten years he developed a strong traditional background working in the studio of one of his professors, who was also one of the best restorers of silver and jewellery in Belgium. At the same time, Max opened his own workshop where he focused on creating his own contemporary jewellery and silverware, cultivating a personal and unique style. Silver is his preferred metal, but he likes the challenge of working with many different materials, like wood and glass, collaborating with specialised artisans. “I also like to use aluminium, steel, pewter,” he says.",[1073],[666,667],[743,670,970,829],[1109,1110,1111,1112,1113],"Are We Going to Die Pretty","Nouvelle Vague","Self-portrait","Ongoing Matter II","Travel Degustation Threesome",[1115,744,685,682,1016,687,1116,1117,1118,982,689,683,758],"Feathers","Flint stone","Metal","Ebony wood",[1020,1120,1121,699,1122,1123,702,1124,703],"Humidor","Spoon","Furniture accessories","Cutlery","Furniture",[707],[1088],[1073],51.17297,4.37661,"2020-08-26",{"_725":1128,"_726":1129},2142,"craftmans","metadata",{"_1136":564,"_1137":592,"_1138":592,"_1139":1140,"_1141":1142},"count","page","pageCount","pageSize",48,"facetDistribution",{"_692":1143,"_661":1149,"_664":1150,"_704":1584,"_680":1587,"_668":1588,"_705":1589},{"_765":1144,"_761":592,"_984":592,"_1085":592,"_872":1145,"_1020":1145,"_697":592,"_840":592,"_1123":592,"_701":1146,"_698":1146,"_803":592,"_914":592,"_1124":592,"_1122":592,"_916":592,"_1120":592,"_762":592,"_699":1147,"_839":592,"_702":1148,"_764":1144,"_695":1144,"_696":1144,"_913":592,"_763":1144,"_700":592,"_985":592,"_1121":592,"_703":1144,"_694":592,"_760":1145,"_912":592,"_915":592,"_911":592},3,2,4,5,6,{"_740":592,"_938":592,"_786":1144,"_823":592,"_663":592,"_1040":592,"_965":592,"_1073":1145,"_892":592},{"_1151":1146,"_1152":1148,"_1153":1144,"_1154":1155,"_1156":592,"_1157":1144,"_1158":592,"_1159":592,"_1160":1161,"_1162":1155,"_1163":1164,"_1165":1145,"_1166":592,"_1167":592,"_667":564,"_1168":592,"_1169":592,"_1170":1171,"_1172":592,"_1173":1174,"_1175":1176,"_1177":1146,"_1178":1179,"_1180":1181,"_1182":592,"_1183":564,"_1184":1155,"_1185":1186,"_1187":1188,"_1189":1148,"_1190":1145,"_1191":592,"_666":1192,"_1193":1194,"_1195":1145,"_1196":1197,"_1198":529,"_1199":1186,"_1200":1145,"_1201":592,"_1202":592,"_1203":1147,"_1204":592,"_1205":1146,"_1206":592,"_1207":1147,"_1208":592,"_1209":592,"_1210":592,"_1211":592,"_1212":564,"_1213":592,"_1214":1215,"_1216":592,"_1217":592,"_1218":1219,"_1220":1221,"_1222":592,"_1223":1186,"_1224":592,"_1225":1147,"_1226":1144,"_1227":1145,"_1228":363,"_1229":529,"_1230":1161,"_1231":1232,"_1233":564,"_1234":1147,"_1235":1236,"_1237":592,"_1238":592,"_1239":1144,"_1240":592,"_1241":1146,"_1242":592,"_1243":1244,"_1245":592,"_1246":1171,"_1247":1186,"_1248":1186,"_1249":1145,"_1250":1144,"_1251":1145,"_1252":592,"_1253":1254,"_1255":1186,"_1256":592,"_1257":1145,"_1258":1259,"_1260":1171,"_1261":529,"_1262":592,"_1263":1144,"_1264":1186,"_1265":288,"_1266":287,"_1267":592,"_1268":592,"_1269":592,"_1270":1271,"_1272":592,"_1273":592,"_1274":1144,"_1275":1276,"_1277":1176,"_1278":592,"_1279":1145,"_1280":1146,"_1281":1282,"_1283":1147,"_1284":1147,"_1285":1145,"_1286":592,"_1287":1288,"_1289":564,"_1290":1145,"_1291":1155,"_1292":564,"_1293":1244,"_1294":592,"_1295":1296,"_1297":1176,"_1298":592,"_1299":1300,"_1301":1145,"_1302":1147,"_1303":592,"_1304":287,"_1305":1147,"_1306":1307,"_1308":1309,"_1310":1148,"_1311":1145,"_1312":1147,"_1313":1148,"_1314":1146,"_1315":592,"_1316":1148,"_1317":1318,"_1319":1145,"_1320":1145,"_1321":592,"_1322":592,"_1323":1145,"_1324":1254,"_1325":592,"_1326":592,"_1327":1145,"_1328":529,"_1329":592,"_1330":1144,"_1331":1332,"_1333":592,"_1334":1147,"_1335":1145,"_1336":1144,"_1337":592,"_1338":1339,"_1340":1145,"_1341":1342,"_1343":1145,"_1344":1345,"_1346":530,"_1347":1348,"_1349":1271,"_1350":1147,"_1351":592,"_1352":1144,"_1353":592,"_1354":1282,"_1355":1155,"_1356":1147,"_1357":592,"_1358":1144,"_1359":1360,"_1361":1147,"_1362":592,"_1363":1186,"_1364":529,"_1365":592,"_1366":1144,"_1367":1145,"_1368":1369,"_1370":1147,"_1371":1147,"_1372":592,"_1373":1374,"_1375":592,"_1376":1186,"_1377":1378,"_1379":1144,"_1380":1186,"_1381":1144,"_1382":1383,"_1384":1145,"_1385":1186,"_1386":1155,"_1387":592,"_1388":1389,"_1390":1186,"_1391":1144,"_1392":1332,"_1393":592,"_1394":592,"_1395":1144,"_1396":1186,"_1397":592,"_1398":1145,"_1399":1144,"_1400":592,"_1401":592,"_1402":592,"_1403":1404,"_1405":1146,"_1406":1148,"_1407":1332,"_1408":1145,"_1409":1146,"_1410":564,"_1411":1171,"_1412":1155,"_1413":592,"_1414":1276,"_1415":592,"_1416":1145,"_1417":1148,"_1418":1155,"_1419":1145,"_1420":1421,"_1422":592,"_1423":592,"_1424":1147,"_1425":1148,"_1426":592,"_1427":592,"_1428":1429,"_1430":1147,"_1431":1145,"_1432":592,"_1433":592,"_1434":1176,"_1435":1186,"_1436":592,"_1437":592,"_1438":592,"_1439":1186,"_1440":592,"_1441":1144,"_1442":1186,"_1443":1155,"_1444":592,"_1445":1145,"_1446":1447,"_1448":1155,"_1449":592,"_1450":1146,"_1451":1145,"_1452":1453,"_1454":1219,"_1455":1456,"_1457":1342,"_1458":1186,"_1459":592,"_1460":1145,"_1461":1144,"_1462":592,"_1463":592,"_1464":287,"_1465":1219,"_1466":1276,"_1467":1147,"_1468":1145,"_1469":1146,"_1470":592,"_1471":1244,"_1472":288,"_1473":1146,"_1474":1186,"_1475":1146,"_1476":1477,"_1478":592,"_1479":1155,"_1480":1145,"_1481":1145,"_1482":1144,"_1483":1219,"_1484":1186,"_1485":592,"_1486":1155,"_1487":1148,"_1488":1186,"_1489":592,"_1490":592,"_1491":1215,"_1492":1155,"_1493":302,"_1494":1429,"_1495":1146,"_1496":1145,"_1497":1145,"_1498":1383,"_1499":1186,"_1500":529,"_1501":1161,"_1502":1503,"_1504":302,"_1505":592,"_1506":1145,"_1507":592,"_1508":592,"_1509":1510,"_1511":1339,"_1512":529,"_1513":1514,"_1515":592,"_1516":564,"_1517":592,"_1518":1144,"_1519":592,"_1520":1145,"_1521":592,"_1522":1523,"_1524":1525,"_1526":1144,"_1527":1145,"_1528"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Herzegovina",25,"Brasilia","Brașov","Bratislava",10,"Brazil",63,"Brienz","Brighton","Brión-A Coruña","Bristol","Brno","Bruges","Brussels","Brussels: where traditional crafts inspire avant-garde design","Bucharest","Budapest",45,"Budapest: fusing form with function","Bukhara","Bulgaria",41,"Busan","Bussy-Saint-Georges","Cagliari","Caldas da Rainha","Cambridge","Camisano Vicentino","Canada",46,"Cancale","Cape Town","Cape Town: from ancestral making to contemporary voices","Cardiff","Casablanca","Cascais","Castle Douglas","Champforgeuil","Chile",31,"Coimbra","Cologne","Colombes","Colombia",64,"Copenhagen","Copenhagen: from the pages of a fairy tale","Corcelles-le-Jorat","Corfu","Cork","Croatia","Cyprus","Czech Republic","Daegu","Dalheim","Denmark",106,"Derby","Dijon","Donegal","Dublin",19,"Dublin: reigniting Celtic craftsmanship","Dubrovnik","Düsseldorf","Ebeltoft","Edinburgh",13,"Edinburgh: a magical city inspiring literature and films","Edinburgh: a magical city inspiring literature and films (Test)","Eindhoven","Ependes-Fribourg","Estonia",23,"Eswatini","Exeter","Faenza","Fez","Finland","Fischbach","Florence",49,"Florence: in the light of the Renaissance","Fontainebleau","France",529,"Frankfurt","Frederiksberg","Gärsnäs","Geneva","Genoa","Georgia",34,"Germany",269,"Ghent","Girona","Glasgow","Gothenburg","Göteborg","Göttingen","Graz","Greece",99,"Groningen","Grottaglie","Grödig","Gualdo Tadino","Gudhjem","Hamburg","Hamme","Hammenhög","Hanover","Harare","Haro","Hellerup","Helsinki",14,"Heule","Hildesheim","Hilperton","Höhr-Grenzhausen","Hundested","Hungary",65,"Hyères","Iceland",29,"Innsbruck","Ireland",100,"Istanbul","Italy",717,"Japan","Kanazawa","Keispelt","Kilkenny","Kortrijk","Kyiv","Kyoto","Kyoto: a pilgrimage to preserved craft","La Louvière","Larnaca","Latvia",40,"Lausanne","Leerdam","Leipzig","Lewes","Liège","Limerick","Limoges","Lisbon",21,"Lisbon: the city built on tiles","Lisbon: the city built on tiles (C)","Lisieux","Lithuania",60,"Liverpool","Ljubljana","London",245,"London: a day around the Thames through the eyes of a craft expert","London: craft and illusion, the artisans who play with perception","London: made in West London","Luxembourg",18,"Lübeck","Lviv","Lyon","Macau","Madrid",61,"Madrid: a passion for natural materials","Malmö","Malta","Manchester","Mannheim","Marrakesh","Marseille","Mechelen","Melbourne","Menorca","Merelbeke","Messinia","Metz","Milan",67,"Milan: exploring the city with Carla Sozzani","Milano Cortina: the many lives of wood","Montevideo","Montpellier","Montreal","Montreuil","Morocco","Moscow","Mosfellsbaer","Munich","Mytishchi","Nancy","Nantes","Naples","Napoli","Netherlands",93,"Newton","Newtown Mount Kennedy","Nexø","Nicosia","Nisa","Nîmes","Norway",27,"Nový Bor","Nuremberg","Nyköping","Næstved","Ontario","Ontario: new beginnings in craft","Oosterzele","Orchamps","Orkney","Oslo","Ottawa","Oxford","Padua","Palermo","Palingen","Palma","Paris",127,"Paris: 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