HOMO FABER 2026
Bastien Thomas
©Hugo Lamaze
Bastien Thomas
©Hugo Lamaze
Bastien Thomas
©Michael Haines
Bastien Thomas
©Hugo Lamaze
Bastien Thomas
©Hugo Lamaze

Bastien Thomas

Glassblowing

Payerne, Switzerland

The stories that found objects can reveal

  • Bastien brings history back to life through his glass pieces
  • He uses recycled glass in his making process
  • His Studies collection was selected by the Fuse Glass Prize jury in 2018

Bastien Thomas makes blown glass neo-historical objects inspired by his personal archaeological discoveries. In search of a hands-on practice that stems from his interest for making, Bastien stumbled across the studio of a local glassworker. "After seeing the artist's glassblowing in action, I quickly decided it was the path for me," he said. Bastien enrolled at the French National Glass School where he received solid technical training. The passion he had for glasswork drove him to travel the world with one goal in mind – discovering his voice. Today, from the workshop he opened in 2022 in Switzerland's Valais, Bastien makes intriguing glass sculptures that sit at the crossroads of history and archaeology. He combines a respect for the traditional skills of glassblowing with a curiosity and drive to use the material in new ways.

Bastien Thomas is an expert artisan: he began his career in 2015.

Discover his work

INTERVIEW

One experience that stands out is the very one that launched my creative journey with glass; my first artistic residency at the Musée et Centre d’art du Verre in Carmaux in France. There, I had six months to develop my own project, which is time I never had before. I am very grateful for this opportunity.

I am fascinated by history and archaeology in particular. I find myself recreating human stories from fragments of objects. I get a real sense of wonder by looking back into the past, seeking my place within the stories and finding my connection with history.

Glass is a community. I felt that strongly when I went to the JamFactory in Australia, but it is true across the world. While the history of glassmaking is diverse, today's global travel allows for a true merge of different traditions, cultures and people, which is an aspect I love.

Glasswork has opened a lot of doors for me. It is tough but rewarding – do not expect any instant rewards, though. Working with glass is a difficult path that is ultimately very gratifying. Be brave, but patient!