An exploration of fire and clay
- Nuria creates ceramic pieces with an experimental and timeless approach
- Her works feature illustrations and sgraffito
- She repurposes discarded materials, such as tarmac, metal, rubble and cement
Nuria R. Artuñedo experiments with new ceramic techniques and applications, and always leaves room for creativity and exploration. "I primarily work on the potter’s wheel, but I also combine modelling and casting with illustration and engraving," she says. Nuria had long been impressed by ceramics' versatility and complexity. “Growing up, I was always allowed to play with my father and brother's blacksmithing tools," she says. Nuria chose to purse ceramics after working with kiln-fired glazes at a friend's workshop in Japan. In 2016, after attending workshops in raku, wheel throwing and other techniques, she opened her atelier to create decorative and sculptural utilitarian pieces for restaurateurs, decorators and hotels. She also repurposes discarded materials such as cement, tarmac, rubble and metal.
Interview
- How would you describe your practice?
- I am interested in many styles, and I constantly exploring new things in my workshop. Balancing between my artistic and commercial practice is challenging, but I try to find time for both. I enjoy producing pieces for designers as it pushes me out of my comfort zone and allows me to learn new skills.
- Did you learn from a master?
- I am initially self-taught, as I am a quick visual learner. I took classes with Corrie Bain and shared a studio with potters from different countries, which was an important step in my learning journey. For over six years, I taught classes there and worked as a workshop technician. To this day, I continue to learn through experimentation, and by discussing ideas and concerns with other ceramicists.
- In what ways is your craft linked to your region?
- Pottery has been linked to humanity since the beginning of time, so it is no surprise that this connection has endured despite its ups and downs. Different cultures have left their marks on the Iberian Peninsula. The materials of the territory also shape the pieces that were produced in different parts of the country, which resulted in a wealth of styles and techniques.
- Is ceramics an endangered craft?
- There is currently a resurgence of interest in craftsmanship, especially in ceramics. Today, people understand how to value and differentiate between handmade and mass-produced products. There is still a long way to go, but education and training are key.
Nuria R. Artuñedo is an expert artisan: she began her career in 2014
Where
Nuria R. Artuñedo
