Nobuo Matsubara

Kimono dyer | Kimitsu, Japan

Yukata dyeing with precision and loveliness

  • Nobuo is a master using the traditional Nagaita-Chugata cloth dying technique
  • He uses rice paste to ensure vivid indigo-white contrast​ on both sides of the fabric
  • Paper stencils are used to create intricate designs, such as floral patterns

Nobuo Matsubara, named a Living National Treasure in 2023, is a third-generation master of Nagaita-Chugata, a traditional Japanese stencil and indigo dyeing technique originating in the Edo period (1603-1868). Known for its precise design motifs inspired by nature and traditional Japanese patterns, Nagaita-Chugata involves applying a rice-based resist paste to stencils, and immersing the cloth in indigo to create detailed, bleed-free patterns. The chūgata yukata robe, once integral to everyday wear in Japan, now exemplifies Japanese craftsmanship’s commitment to precision and intricacy. It is distinguished from global techniques such as Indian batik. From his atelier in Chiba, Nobuo preserves this heritage, showcasing his art in prestigious exhibitions worldwide.

Interview

Nobuo Matsubara
©Nobuo Matsubara
Nobuo Matsubara
©Nobuo Matsubara
How was the nagaita-chugata yukata historically used?
It was a garment worn by commoners daily, washed and reused many times. As it aged, the cotton fabric softened, eventually wearing out and being repurposed as diapers or cleaning cloths. This reflects the values of common people using their belongings to the fullest.
What are lesser-known details of the production process?
Rice paste, a resist paste in indigo dyeing, is made from glutinous rice flour mixed with limestone and rice bran. Applied to stencils, it helps preserve patterns during dyeing. The nagaita-chugata technique uniquely maximises the use of this paste in Japanese dyeing.
What makes the nagaita-chugata technique unique from others?
In this technique, we use paste on both sides of the fabric before indigo dyeing. The paste preserves white areas, creating a striking contrast of white and indigo. This results in a distinctive yukata design, with the white areas clearly visible on both sides.
What role does water play in the dyeing process?
Water is essential in dyeing, for both soaking fabric in the indigo vat and keeping the resist paste at the right consistency. This technique thrived in Tokyo’s lowlands by rivers. Chiba, where my atelier is, also has clean water and ideal humidity levels.

Nobuo Matsubara is a master artisan: he began his career in 1984 and he started teaching in 2000


Where

Nobuo Matsubara

Address upon request, Kimitsu, Japan
By appointment only
Japanese
Receive inspiring craft discoveries
Presented by
Crafted withby Atelier Sherfi