Roberto & Marta Vergombello

Goldsmith

©Vergombello

Treasures of Venetian goldsmithing

Roberto and Marta keep a venerable tradition alive
Each jewel they create is a unique sculpture in miniature
Their workshop is renowned for its bespoke 'moretti'

When Guido Vergombello opened his goldsmithing workshop in 1932, the first Venice Film Festival was officially launched: an event that would soon attract movie stars, personalities, reporters and photographers. Guido made elegant jewels to adorn the necks, arms and hands of this vibrant new population, as well as of his more conventional Venetian clientele. Roberto and Marta, Guido’s son and granddaughter, are the custodians of his expertise and artistic vision. Customers visiting the Vergombello shop and atelier today can admire Roberto and Marta’s craftsmanship skills and enjoy their hospitality. “We like to interpret our customers' wishes, offering our guidance and advice. Our jewels are the result of our research and craftsmanship, and reflect both our character and that of the wearer.”

Interview

©Vergombello

©Vergombello

Roberto, when did you start your apprenticeship?: In 1965, at the age of 16. I failed in high school and my father made me go to work in his workshop. Back then, it was customary to pick up your father’s trade. But I am very proud that Marta decided to follow the same path. We complement each other and we love working together.
How long is Venice’s goldsmithing tradition?: It is as ancient as the city itself. In Venice there is a street called 'Ruga degli Oresi', which is how goldsmiths are called in Venetian dialect. Since Venice has always been a city where different cultures mixed and thrived, it was only natural for us to absorb its essence.
In what way do you reinterpret this tradition?: By adding something new and surprising, like the secret compartment in each of our 'moretti' figures. They contain a mechanism made of minute springs and screws, which are entirely handmade and one-off, like all our production.
Why is your craft endangered?: Because fewer people are willing to pay for an authentic handmade jewel designed and made on commission. Nowadays, customers look for finished products, not realising that only an artisanal piece of jewellery is unique – and also that it is made far better than a branded one.

Roberto & Marta Vergombello are master artisans: they began their career in 1965 and they started teaching in 2000