Barbara Hartmann & Nino D'Agata

Golden designs fit for the future

• Nino and Barbara create their own designs using ancient goldsmithing techniques
• They came together as a couple to pursue their journey as goldsmiths
• Patience, perseverance, and tenacity define their approach

After studying architecture in Rome, Nino D'Agata discovered the joy of creating handmade work, and of the search for new forms. “After leaving university, I realised it was possible to make a living from craftsmanship, which gave me the freedom to travel and work at the same time. I experimented with many different materials, such as leather, wax, and resin, until I finally discovered silver in Bogotá. I fell in love with working this metal, which eventually led me to gold,” he explains. Nino now works with his wife, Barbara Hartmann. “I stumbled upon this profession by chance and ended up falling in love with the process after meeting my future husband in Rome. I realised I did not want to pursue a career in investigative science, so I decided to change direction,” she explains. “I grew up in a doctor’s home that often bustled with international musicians, writers, and painters, which I think sparked my interest in art,” says Barbara.

Interview

©Violetta D'Agata

©Violetta D'Agata

Why do you have such an interest in ancient cultures?

Nino: My work is inspired by ancient cultures and so I use ancient techniques with my own designs. I balance tradition and innovation by creating original, modern forms grounded in ancient methods. I describe what we do as archaeology of the future.

How would you define your work?

Barbara: It is a very meditative process that allows me to be creative through my hands and brings me happiness. Starting with raw materials, working them with your hands, and ending up with a tangible object is a fascinating process.

What do you remember about your first workshop?

Nino: I opened my first workshop in 1985 in the historic centre of Rome, near Piazza Navona. This neighbourhood was famous for its many artisan bottegas, each specialising in different crafts. This experience enriched my knowledge from both a personal and professional perspective.

How would you describe goldsmithing as a technique?

Nino: Learning a technique is like learning a language or an instrument: once you master it, it opens up a world of infinite possibilities. Depending on the metal you use, you will face different challenges.

Barbara Hartmann & Nino D'Agata are expert artisans they began their career in 1985

Works

©Violetta D'Agata

©Violetta D'Agata

©Violetta D'Agata

©Violetta D'Agata

©Violetta D'Agata

Where