Architecture hidden in metal
- Marcus crafts metal works with traditional silversmithing techniques
- His creations invite viewers to look more than once at the details
- He is inspired by architecture and Italian buildings
Marcus Steel makes understated metal objects from multiple pieces, skilfully showcasing the chemical patination and gilding processes. "My father was a studio potter and sculptor who taught me basic making skills," he says. As a child, Marcus lived in a village in the hills above Florence, and later, he studied silversmithing and jewellery in his native England, without giving up ceramics. This diverse artistic background forged his creative path. "The turning point was the moment the hammer hit the metal sheet and it took shape the way I intended," Marcus says. Architecture and Italian classical and vernacular buildings are his main sources of inspiration. "The construction is complex and requires several soldering joints invisible at first sight. The final piece is a result of careful and strategic planning," he further explains.
INTERVIEW
Tradition for me is in the work's production process, when I use the same hand tools and techniques that have been used by metalsmiths for centuries. Innovation comes into play when I create objects that have a clear contemporary feel, but with a certain subtle familiarity about them.
There is a real satisfaction, a comfort that comes from being able to lose myself in the creative process and make unique, personal pieces. Sitting at my bench, surrounded by ephemera and the familiar feel of the metal and much loved hand tools, keeps me wanting to move forward with my work.
Early in my career, I was asked to design and make a trophy for the World Netball Federation. Over the past few years, this sport has increasingly gained visibility. Now, it fills me with great pride to see the trophy I created get presented to the winning teams on TV.
I like to think that I am creating bonds through my objects. If a person likes the piece, they should pick it up, feel its weight in their hand and enjoy the tactility of its surface. Once they connect physically with the work, an emotional bond will follow.
