Complex creations born from contrasts
- Malin Mena is both a glassblower and a ceramicist
- Her works range from minimalistic everyday items to big sculptures
- She is fascinated by contrasts and plays with them in her practice
Out of her unique workshop, Malin Mena practises glass blowing, creating both functional and sculptural works of art. In Nättraby, just outside the coastal town of Karlkrona in Sweden, she found an abandoned water tower dating back to the 1950s, and thought it would be make a perfect studio. "It took me several years to renovate it, but eventually, I managed to turn it into my glass tower – that is, a workshop, gallery and shop all in one," Malin says. Her journey with art began with ceramics, a craft she has not stopped practising, even after studying for five years in Orrefors, the Swedish centre for glassmaking traditions. Because of her dual vocation, her glass tower is a fascinating world of encounters and contrasts, where different crafts and materials converge and complex creations are born.
Interview
- What fascinates you most about glassworking?
- The act of creating something without directly touching it. In ceramics, you shape an object with your hands in a very relaxing process. By contrast, glasswork is intense, hot, physically exhausting and requires a lot of focus. The adrenaline is high, and I love it.
- What is your favourite technique when you work with glass?
- I enjoy hot glass techniques, such as traditional glassblowing, glass fusing and sand casting. But I have experimented with others techniques too, to explore contrasts and incorporate metals and textiles into my works.
- Why do you combine glass and ceramics?
- I am intrigued by contrasts – light and dark, male and female, rough and smooth. Everything has two sides. Glass is airy and transparent, clay is dark and heavy. I create each element separately, then fit them together to obtain the most striking effect.
- How would define your style?
- When I create wine glasses, bowls and other everyday items, I am quite minimalistic. I work with simple lines, thin engravings and no colours. When I am making sculptures, I work on larger volumes and draw inspiration from nature, stones, trees and water, which results in something quite different.
Malin Mena is a master artisan: she began her career in 1996 and she started teaching in 2000
Where
Malin Mena
