Kensuke Takeoka
©All rights reserved
Kensuke Takeoka
©All rights reserved
Kensuke Takeoka
©All rights reserved
Kensuke Takeoka
©All rights reserved
Kensuke Takeoka
©All rights reserved
Kensuke Takeoka
©All rights reserved

Kensuke Takeoka

Glass sculptor

Toyama, Japan

The warp and weft of glass

  • Kensuke creates delicate glass vessels with a woven texture
  • His pieces evoke a sense of gentle expansion and swelling
  • He joined the Toyama Glass Studio in 2023, where he continues to produce his works

Kensuke Takeoka creates glass vessels that convey a sense of warmth and fullness, composed of soft, transparent colours and textured like basketry. His distinctive approach to glassblowing developed while he was studying in the glass programme at the department of crafts at Tama Art University. At this time he started to consider how to weave baskets from glass. Kensuke’s interest in bamboo basketry influenced his style, which he further advanced at the Toyama Municipal Glass Art Institute. He draws inspiration from the Venetian filigrana technique, which incorporates thin rods of opaque or coloured glass into a clear mass, allowing for infinite variations in pattern. “This method allows me to explore forms that, while contained within a grid, evoke expansion and volume,” he says. Kensuke’s pieces are collected by the Toyama Glass Art Museum and can be seen around Toyama, where his practice is based.

Kensuke Takeoka is an expert artisan: he began his career in 2016.

INTERVIEW

I first encountered glass at Tama Art University. I was drawn to its beauty and intrigued by it as an unfamiliar material. Around the end of my second year, I began to want to express something in my own way. I had been interested in basket weaving and bamboo crafts, so I started thinking about making baskets out of glass.

I work in Toyama, which has been connected with glass making since the development of blown glass medicine bottles in the late 19th to early 20th century. It has a well developed environment for artists with museums, educational institutions and studios.

I mainly use hot work, kiln work and cold work techniques. I am drawn to the structures created through weaving and the changes that occur within them. I also enjoy seeing the expressions that emerge when the glass expands as it is blown.

Keep exploring and pushing boundaries. Each material has its own unique characteristics and way of being handled, and there are still many unknown aspects to test. I look forward to seeing the new challenges you will take on in the future.