HOMO FABER 2026
Jeremy Lee
©All rights reserved
Jeremy Lee
©All rights reserved
Jeremy Lee
©All rights reserved
Jeremy Lee
©All rights reserved
Jeremy Lee
©All rights reserved
Jeremy Lee
©All rights reserved

Jeremy Lee

JD Lee Furniture

Chair making

Mullumbimby, Australia

All manner of chairs

  • Jeremy makes wooden chairs and tables that spark positive emotions
  • He is passionate about responsible sourcing of his timber
  • He is part of an Australian tradition championing handcrafted furniture

Taking his time in the workshop, every piece of furniture made by Jeremy Lee is a labour of love and dedication to his craft. Jeremy studied industrial design, which introduced him to the processes and philosophies that continue to inform his work today. After his apprenticeship as a furniture maker, he explored a slow, conscious methodology working with the grain of locally sourced timbers. He started his solo practice in 2014. "I work according to what I call the ‘design triangle’. First, I examine the construction of a chair, ensuring structural integrity and durability. Then, I focus on ergonomics: a chair must be comfortable to fulfil its functional element. And finally, I attend to the aesthetics to craft a beautiful, timeless piece of furniture," he explains.

Jeremy Lee is an expert artisan: he began his career in 2014.

INTERVIEW

It is honest. You can only work with the wood, not against it. The grain has its own direction, and you need to learn to follow it. It forces patience because rushing a job only leads to defects down the road. My craft teaches discipline and each process needs to be appreciated and respected.

The first collection I worked on started as a handful of sketches when I was studying. My skills and confidence grew, and I became determined to create a small body of work under JDLee Furniture. The collection was based on the circular design philosophy I still work with today.

There is a deep yearning in me to do what I do. I make chairs because I have to! I have seen this same vocation in other makers, and I regularly have people reaching out to me desperately wanting to learn my craft. The craft might be dwindling, but I do not believe it will ever die.

I make furniture that ignites an emotional reaction. It is this element that adds value to an object and is likely to encourage someone to care for and cherish a piece of furniture for years to come, beyond the construction, aesthetics and ergonomics.