Ionel Moise

Stone worker

©Raluca Moise

Limestone lights

Ionel combines old manual techniques with new technology
He became an apprentice in a stone quarry at the age of 16
He opened his studio together with his wife, who is also a stonemason

Born in a village with a long tradition of processing stone, Ionel Moise was 16 when he started working in this field. He learned the secrets of the craft from local masters, who acquired their knowledge from the Italian sculptors who laid the foundations of the stone quarry in Albesti, Romania. He has been practising this profession for over 30 years, during which time he has perfected his skills in stone carving and sculpture. In 1997, he opened his studio together with his wife and they founded their own company 10 years later. Traditions and rural life inspire him in his work, while the satisfaction of accomplishing his mission and creating beautiful works motivate him to give his best.

Interview

©Raluca Moise

©Raluca Moise

How is your craft linked to the local region?: The area where I live is known for its nummulitic limestone and as a result stonemasonry was the most popular and practised craft here in Albesti. Over time, however, many have chosen to give up this craft, which is becoming increasingly rare. I am more than happy to still practise it.
What do you love most about your profession?: Probably the fact that no piece of stone resembles each other and the freedom of expression that sculpture offers me. I also love that every time there is a different level of difficulty in my work. Although sometimes it may seem that anyone can do this profession, it requires a lot of experience, effort, dedication and patience.
What is the most difficult aspect of your craft?: I think that the preparation of the raw material is the most difficult, because it requires a lot of physical effort and attention. You can easily endanger your life, especially if you work alone. On the other hand, sculpture and finishing are the pleasant part of the job. Once you do something with pleasure, everything seems easier.
Could your craft be considered in danger?: Yes, I would say so. Generation after generation, young people become less and less interested or do not know the beauty of manual work. Many technologies try to replace what sculptors do, but this does not compare to the work of an artist. I am glad however that there are people who still appreciate authenticity and understand how important it is to keep the tradition.

Ionel Moise is an expert artisan: he began his career in 1989