Anastasia Stročkova

Illustrator

©Christian Rückert

Beyond the boundaries of visual storytelling

Anastasia considers illustration as an applied art
She illustrates to create new worlds
She transforms creative language into diverse media

Anastasia Stročkova's distinctive style defines new standards in conceptual illustration across many projects. Recognised for her talent, she was handpicked for the prestigious Bologna Children's Book Fair, showcasing her debut book The Elephant Who Was Afraid of Heights, which launched her into the world of children's literature. Her work Unforgettable Events received acclaim at the Bologna Ragazzi Amazing Bookshelf, earning a nomination for a Golden Ribbon award and it was translated into four languages. Anastasia focuses on enriching children's literature with action, kindness, and humour, collaborating with top publishers, graphic studios, and science labs. By blending illustration with mediums like 3D and mural painting, she expands her artistic boundaries, constructing captivating narratives and colourful stages that invite viewers to explore the boundless possibilities of imagination.

Interview

©Marek Volf

©Christian Rückert

How do you personally define illustration?: I see illustration as a means to communicate a message. It is a language to tell stories, describe concepts, or sell ideas—whether mine or a client's. This places illustration in the field of applied arts. I like the visual style I have created for myself, and I am confident it is bold and clear enough to communicate all kinds of projects.
What makes your illustrations unique?: A combination of unique style and adaptation for different kinds of projects. Usually, illustration leans more towards one of these pillars, resulting in either fine art or a generic feel. I intentionally strive to connect functionality with provocative visuals for each creative endeavour.
Do you always have enough room for self-expression?: While my work and creative process hold significant importance, they are not the sole areas of focus. I view my personal, non-commissioned work as primarily driven by my own ideas, or in other words, a pure self-realisation process.
How do you overcome creative limitations?: The limits serve as inspiration to think outside the box and manage to meet them while doing something that sparks interest. In my creative process, there is always a reality-check moment after diving into the creative pool, where ideas confront the technical aspects. This dialogue between concept and technique is crucial for further development.

Anastasia Stročkova is an expert artisan she began her career in 2013