HOMO FABER 2026
Maud Bekaert
©All rights reserved
Maud Bekaert
©All rights reserved
Maud Bekaert
©All rights reserved
Maud Bekaert
©All rights reserved
Maud Bekaert
©All rights reserved
Maud Bekaert
©All rights reserved

Maud Bekaert

Sign-writing

Bruges, Belgium

Hope and harmony through letter carving

  • Maud is inspired by architecture and contemporary art to carve signs
  • She applies her skills to a great variety of materials
  • Teaching is a key component of her practice

Bruges-based letter carving artist Maud Bekaert discovered her craft by chance. After high school, intending to work with her hands rather than diving immediately into academics, she trained as an apprentice and was instantly captivated by the craft of stone carving. Her skills evolved through an intensive three-year study in stone. Eventually, Maud expanded to wood, metal, leather, and more, even training under expert calligraphers such as the renowned Brody Neuenschwander. To Maud, the highlight of her career has been sharing her craft in the South African township of Khayelitsha since 2004. In her creative work in Bruges, Maud designs funeral objects that bring solace and beauty to those in mourning. Not only her creations, but also her serene workshop in Bruges, reflect her values of harmony and authenticity.

Maud Bekaert is a master artisan: she began her career in 1993 and she started teaching in 2004.

INTERVIEW

The city of Bruges had asked me to curate an art project involving township artists. Despite the hardships, their skill and creativity highlighted the potential for letter carving in Cape Town. Seeing artists find strength through the craft and overcoming hopelessness has been a career highlight for me.

My grandmother’s tombstone, requested by my father. I recall every chisel stroke and the setting vividly. Artistically, a bowl I carved with the text from Bach, Erbarme dich, is unforgettable. I spent 80 hours making it, and it felt so personal that I decided never to sell it.

The best compliment is when my work brings comfort. Through my work, I meet many people in mourning and hear their stories of loss. Recently, I made a petal for a mother who had lost her child, matching the baby’s weight. She said holding it comforted her, which was deeply moving for me.

The essence of my work is harmony. I aim for the text to align with the stone, the stone to blend with the space, and myself to connect with what I create. In many ways, I am always seeking harmony. It may be a utopia, but it guides everything I do.