Geometric jewellery that exude power
- Federica sees her jewellery as architectural expressionism
- She makes her pieces using traditional tools and modern materials
- Art, music, poetry and socio-politics are major sources of inspiration to her
In her jewellery making, Federica Pallaver aims to create a dynamic link between the piece of jewellery and the wearer. After studying visual arts and metalworking techniques, Federica refined her skills with jewellery artists Giampaolo Babetto and Robin Quigley. She opened her workshop in her native Bolzano in 1996. Since then, Federica’s research has been a succession of experimentation and innovation, albeit always employing traditional techniques. "I see jewellery as an expressive form of architecture which transforms the materials used into forces of nature that exude their power, without a fixed storytelling in mind," she says. Over the years, Federica participated in group and individual exhibitions both in Italy and abroad, presenting experimental and geometric rings, brooches and earrings.
INTERVIEW
I do not remember the specific moment, but my academic background in visual arts and metalwork is very telling. What I can say is, decades later, I still immensely enjoy my craft and I am happiest when people choose my jewellery.
I find inspiration in many different sources, including architecture, Arte Povera, sculpture and figurative arts, even contemporary and jazz music, poetry and socio-political events. Each of them shapes my aesthetic and touches my imagination in a different way.
My goal is to create a dynamic relationship between the piece of jewellery and the body. My crafting process comprises of using traditional tools and techniques in combination with innovative materials and micro-sculptures.
In working on my pieces, I combine different metals and materials, and experiment with shapes, geometries and proportions. Through my channel, I aim to share my jewellery making in an accessible way that leads to interactions with the broader community.
