Worlds colliding in clay
- Fabienne has enriched her knowledge on ceramics in Asia
- She turned her workshop into a material exploration laboratory
- Her ceramic objects feature diverse materials
The essence of Fabienne Withofs' ceramic practice is twofold. “On the one hand, I present a sarcastic image of the world through pleasant objects. On the other hand, I want these pieces to earn the respect of viewers, so I give importance to their utilitarian aspect," she says. After her initial training in Belgium, Fabienne studied at a specialised school in Japan and undertook a residency in China. When she returned from Japan mid-1990s, she transformed her Belgian workshop into a veritable laboratory. “I follow the rules of ceramics but also go beyond them, to push materials into innovative applications by mixing different kinds of know-how,” Fabienne explains. “I use diverse materials, such as paper on the surface and carry out research on firing and colour."
Interview
- How is your craft linked to the place where you live?
- In a broad sense, I work with clay, which is part of the Earth's crust, on which we live. More precisely, I have collaborated with archaeologists on the forms of Merovingian pottery and the construction of their kilns.
- What does well made mean to you?
- Although I personally strive to transcend reality in my work, I recognise that to be well made, creations should be useful as well. It is also crucial to respect the vital role of nature and its laws when making something new.
- Would you say that your craft is in danger?
- The craft of making well made creations is in danger. Too many people claim to be artisans and artists without being true professionals. It is currently also complicated to have the monetary value of well made work recognised.
- What advice would you offer to aspiring ceramicists?
- To work, to think, and to work and think some more.
Fabienne Withofs is a master artisan: she began her career in 1985 and she started teaching in 1986
Where
Fabienne Withofs
