The future of stone sculpture
- Dorian combines classic and digital techniques
- He is often inspired by nature and mythology
- He optimises his process to preserve materials for coming generations
Young stone sculptor Dorian Vanhorenbeeck studied and worked in more than five countries. He received training in traditional carving by hand, but also acquired expertise in digital creation with artificial intelligence and robotics. “The profession of stone sculptor has evolved throughout the centuries, always integrating new techniques,” says Dorian. “We must use innovative technology as a bridge to new possibilities.” By harnessing the power of machine learning and algorithms, he not only explores new horizons, but also works more efficiently and sustainably. “By optimising your working process, you spend less energy and use fewer materials. In the field of stone sculpting, the materials are limited in quantity, and it is important to think of the next generations.”
INTERVIEW
Yes, during a visit to the French Lorraine region, a master artisan was working on a sculpture for the city’s main square. When I asked him about his approach, he just gave me a stone and told me to give it a shape.
I am often inspired by nature and plants, though mythology and fairy tales are other big sources of fascination. I find it crucial to be very aware of my emotions when I work. It is necessary to remain in the moment to get the details right.
My creations are made with local stones and marbles. I consider myself very lucky that Belgium possesses such a wealth of prestigious stones and marbles.
It is a fact that much traditional know-how is disappearing due to the lack of young people continuing this craft, and the growing abilities of robots and other machines. It is essential to keep transmitting knowledge that was refined over centuries.
