The art of matching glass and clay
- Carol first worked for social programmes around the world
- She took up glass art after many years as a full-time potter
- Her creations are inspired by landscapes and human relationships
American-born Carol Youngner first studied sociology and worked for various social programmes around the world, including Peace Corps in Africa. At first, ceramics was just a hobby, but she decided to make it her profession after moving to Belgium. In 1989, she started to work as a potter in her studio at Waterloo, in the countryside just outside of Brussels. “I did a one-year apprenticeship to improve my wheel technique, but I am mostly self-taught,” says Carol. About 15 years ago, she decided to broaden her horizon and took up classes in glass sculpting. “I now like to combine these two materials, clay and glass, to create unique sculptures.” Carol derives inspiration from the landscapes around her home, like vineyards and farm fields, and from the relationships between people.
Discover her work
INTERVIEW
I would say that I have an advantage in that I have many years of clay work behind me. This allows me to think with more flexibility, be open to less traditional techniques.
People don’t really understand how much time it takes to fire and finish glass pieces. They are also often surprised to learn that the technique of lost-wax casting is the same as that used in bronze work.
Something that is well made doesn’t necessarily mean perfect. It should offer observers the chance to develop their own interpretation, to enjoy it. Often, certain imperfections allow better enjoyment of the piece.
Take the time to try several methods of working with glass. There are now so many possibilities, glass art has picked up a lot in the last years. Then make a choice, you can’t do everything!
Carol Youngner
Glass sculptor
Waterloo, Belgium
AVAILABILITY
By appointment only
PHONE
+32 478692317
LANGUAGES
French, English
