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An ode to delicate objects
- Anna makes stoneware vases inspired by the female body metamorphoses
- She builds all her pieces by hand and distances herself from machines in her craft
- In 2022, she established her studio in Belgium for its rich heritage and natural resources
Before reaching the world of ceramics, Anna Tou studied and worked in various field of visual design, including calligraphy, typography, photography and publishing. "I discovered the art of clay and the importance of working in three-dimensions during my professional stay in Canada," she says. There, Anna explored stoneware modelling, touch and observation with Joni Moriyama, and wheel-throwing with Mie Kim. When she went back to Belgium, she trained at the Académie des Arts and in various courses. She also apprenticed in glaze chemistry with Joëlle Swanet. In 2022, Anna set up her studio in Brussels – a space for her to create original works in a style that blends texture experiments, sculptures and lines. Since 2024, she has been a design resident at MAD Brussels, a fashion and design platform in Brussels. Anna is also a member of BeCraft, the association of representatives of Belgian Crafts.
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INTERVIEW
Yes, I collect unusual tools. These archaic objects, like my contemporary creations, are gently and slowly handcrafted. Their forms are organic and alive. I appreciate the freedom of time and the intimate relationship of the gesture that shapes authenticity.
My hands. I do not use machines or a potter's wheel, I use methods such as pinch-modelling and slab-building. My first object was a large pot made with Japanese solder and an iron oxide pattern.
In my work, lines set the scene for the seams of shaping. What I do feels like tattooing on the leathery surface of clay, comparing it to the human body. The raw materials and subtle finishes I use build a bridge between the tangible and the intangible, or rather between art and craft.
I chose Belgium for its rich heritage of craftsmanship, natural resources and renowned ceramicists who have left their mark in history. Centres such as Keramis in La Louvière and BeCraft in Mons bear witness to an ancient know-how in stoneware, earthenware and porcelain.
