The art of patience
- Alexandra brings a contemporary approach to basketry
- She discovered the craft during a career transition
- Collaboration with other craftsmen is essential to her
Alexandra Ferdinande was first introduced to wild basketry when she moved to the countryside. Fascinated by craftsmanship, this "art of weaving nature" – closely linked to her surroundings – was an instant revelation to her. The very next day, she was ready to learn the craft. Trained in wild and traditional French basketry, Alexandra enjoys exploring the technical and artistic potential of weaving. She works mainly with wicker, which she transforms in luminaries, baskets or sculptures. Magnifying the raw material is what she loves about wickerwork, the slow process of the natural elements evolving into a contemporary object. Through the natural colour range, the interplay of techniques and movement, she gives each creation a unique character.
Discover her work
INTERVIEW
I like to explore the technique called "zarzo" – the material is first installed, before being interlaced. I like to make people discover it during my workshops, it gives a real connection to the physicality of weaving: the pleasure of weaving.
To observe the transformation of wicker. This craft involves a real evolution of the material. Harvesting, soaking, drying – the wicker goes through many stages before it can be worked and shaped. I appreciate this natural and sustainable process. It is truly the craft of slowness.
Yes, it is a craft in the spirit of the times due to its sustainability. It generates almost no energy loss, no electricity is needed. For some years now, there has been a new generation of basket weavers who are reviving the craft through modern creations, valuing local materials.
Yes. Nature – and the environment around me – is an infinite source of inspiration in the forms, volumes and textures. I am particularly interested in movement, the way in which matter moves and gets mixed. I like to understand how it is all working.
