





Zhiliang Wang 汪志良
Stone carver
Shanghai, China
The ancient art of inkstones
- Zhiliang pursues a refined literati aesthetic shaped by inkstone and scholarly tradition
- His works combine classical forms, naturalistic detail and a contemporary sensibility
- He sees the preservation and renewal of inkstone carving as a cultural responsibility
Born in Wuyuan, the historic home of She inkstones, Zhiliang Wang is a fifth-generation Shanghai inkstone carver, an Intangible Cultural Heritage tradition. Rooted in a tradition that dates back more than two millennia, his practice has developed a distinctive literati aesthetic. Zhiliang’s works merges the classical elegance of the Tang through Ming dynasties with the refinement of imperial craftsmanship, the realism of the Shanghai School and the scholarly sensibility of seal carving. Through stone, form and inscription, Zhiliang renews the inkstone as both a functional object and a medium of contemporary artistic expression. He has presented several major solo exhibitions, introduced inkstone culture to the 2022 China International Import Expo, and was awarded the title of Senior Technician by the China Light Industry Federation.
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INTERVIEW
Growing up in Wuyuan, Jiangxi, the historic home of She inkstones, I watched local artisans cut, carve and polish raw stone into elegant inkstone. Fascinated by their skill and the literati culture embodied in the stone, I learned the centuries-old tradition under a master.
Inkstones have lost much of their practical role as writing shifts to pens and keyboards. It is difficult for younger generations to learn and develop a practice in inkstone carving. Machine-carved imitations and the growing scarcity of high-quality stone add further pressure. The future of the craft relies on bringing inkstone aesthetics into contemporary art and daily life.
Teaching inkstone carving safeguardes an important part of China’s literati tradition, uniting craftsmanship, calligraphy, painting and cultural symbolism. As traditional heritage risks becoming marginalised, preservation alone is not enough. It is a cultural responsibility to master ancient techniques while developing imagery that speaks to contemporary life.
My primary inspiration is the past: historical inkstones, Duanyou Chen's lifelike carving, poetry, calligraphy, painting and seal carving. From the present, I transform nature's textures, forms and vitality into inkstone language. My aim for the future is to preserve traditional techniques without being constrained by them.
Zhiliang Wang 汪志良
Stone carver
Shanghai, China
ADDRESS
Address upon request, Shanghai, China
AVAILABILITY
By appointment only
LANGUAGES
Chinese
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