• Jaehyeon's creative process includes working with slip casting and 3D modelling
• His pieces emerge from the intersection of digital modelling and handcrafted sensibility
• He studies how folds form in fabric and recreates them as pleats in clay

Jaehyeon Lim navigates the shifting boundary between craft and sculpture through his ceramic practice. After formal training in ceramics, he further developed his approach under Sol Yoon. "His experimental methods of cutting and reassembling forms reshaped my understanding of making as a process of discovery and reconstruction," he explains. Beyond wheel throwing, Jaehyeon works with slipcasting and 3D in a hybrid methodology that allows for both precision and disruption. Through his work, he explores the interplay between digital models and manual creation, where he embraces cracks and deformations as integral to the process. Jaehyeon also investigates how a single mould can generate diverse variations, and how geometrically programmed structures can achieve organic appearances.