Master of the Canarian timple
- Francisco makes the traditional five-string timple alongside other stringed instruments
- His background as a woodworker allows him to deepen the instruments’ resonance
- He works with locally sourced materials, reinforcing the authenticity of the instruments
Ángel Francisco Rodríguez is one of few artisans dedicated to crafting the timple, a small five-stringed instrument central to traditional music in the Canary Islands. A self-taught woodworker from a family of carpenters, he also crafts and restores other stringed instruments, including the Cuban tres and the Venezuelan cuatro. After closing his carpentry workshop during the 2008 financial crisis, Francisco discovered lutherie and embraced it as his true vocation, founding his own atelier. "My instruments are the outcome of continual research and adaptation to meet the needs and technical requirements of today’s outstanding timple players," says Francisco. Today, inspired by La Palma’s mountains, seas, and volcanic landscapes, he combines traditional and contemporary construction methods with carefully selected tonewoods to produce instruments highly regarded by the folk musicians of the Canary Islands and beyond.
Interview
- What do you enjoy most about your profession?
- After countless hours of effort and hard work, it is priceless to see one of my instruments in the hands of a master musician on stage, providing the audience with unforgettable musical moments.
- How do you work with tradition and innovation?
- Combining tradition and innovation is a considerable challenge. I aim to keep the instrument building process as artisanal as possible, while recognising that technology is here to stay. My instruments are the outcome of continual adaptation, evolving the traditional form to meet the requirements of today’s timple masters.
- What is the most difficult part of your craft?
- I am on a constant quest to make the perfect instrument. This forces me to continually update and innovate my making processes. It drives me to continue and to wonder if perhaps the next one will be the one, or if perhaps it is unattainable.
- How do you view the future of your craft?
- The survival of Canarian timple making is at risk, although lutherie in general does not seem to be. Artisans dedicated to crafting the timple are located almost entirely in the Canary Islands. The number of artisans engaged in this work are in decline, and most have no apprentices.
Ángel Francisco Rodríguez is an expert artisan: he began his career in 2008 and he started teaching in 2022
Where
Ángel Francisco Rodríguez
