A considered fusion of influences
- Rémi is inspired by nature and the forest surrounding him
- He likes to collaborate with other ceramicists, designers, galleries and interior designers
- He considers being offline as a precious time to be focused and inspired
Rémi Bracquemond, captivated by Japanese ceramics and art deco, embarked on a ceramic odyssey to master hand building, wheel throwing, and surface decoration in both Paris and Kyoto. Leaving behind a mundane office job, Rémi honed his skills over the years, ultimately establishing the travelling gallery Volume Ceramics in Paris. Drawing inspiration from Japanese culture, Le Louvre, and art deco, Rémi’s artistic process unfolds through sketches, each form leading into the next. His pursuit of the perfect beige or brick finish defines his palette of muted tones. Playing with glazes, adjusting oxides, and exploring enchanting colours, Rémi revels in the endless possibilities of clay. What he treasures most is the autonomy and freedom in every stage of his craft, savouring the meditative solitude that disconnects him from the outside world.
INTERVIEW
The fragility of the material which always brings new challenges and new questions. It is also one of the most interesting parts of my profession.
My craft is linked to nature. My new studio is in the forest and this environment is very important for my work and my mindset. Ceramics’ natural origin makes it recyclable and sustainable but firing, glazing, packing, and shipping are not as environmentally friendly as they should be. I am experimenting with ash glazes, different firing techniques and more local projects, to have a cleaner practice.
Wood, iron, stucco, plaster and embroidery are at the top of my list. I am experimenting with them and working with talented craftspeople and designers to mix other materials with my own practice.
I am working on large scale projects such as furniture, chimney mantels and mural pieces, which I find very inspiring and interesting. Lighting is also always a great source of creativity, too.
