Τransforming waste into art

Kuniko upcycles paper to give it a second life
She applies traditional techniques and modern technology to turn waste into art
She is inspired by Japanese philosophy and craftsmanship

Kuniko Maeda always had an interest and admiration for Japanese craftsmanship which is what inspired her to study Japanese traditional woodcarving in Kyoto. After completing her studies, she moved to London in 2011, where she explored and developed new creative insights and skills. Kuniko creates sculptural 3D artworks made primarily from paper, sometimes supported by other materials such as leather. In her process she deploys traditional Japanese craft techniques combined with digital technology. Kuniko often uses Kakishibu paper which is very durable and waterproof. She believes that the fusion of traditional craft skills and modern technology will positively impact how we perceive material values and sustainable approaches in the near future.

Kuniko Maeda is a rising star: she began her career in 2017

Discover her work

Discover her work

Ukigumo

Morph 1

Sundial

Morph 2

Serpent

INTERVIEW

During my sustainable design research for my MA at Chelsea College of Arts I investigated the material life cycles of paper, reviewing its value and our consumption of paper. Then, I started researching the potential of craft and the strong relationship between natural materials, sophisticated traditional skills and sustainable approaches by incorporating digital technology.

In 2016, I was investigating potential approaches to long lasting paper through traditional Japanese craft techniques and found Kakishibu, a type of paint made from the Japanese fruit, persimmon. I started making my original Kakishibu paper using paper waste and a new technology and laser cutting. I created a stronger 3D structure from delicate paper by making slits to minimise production waste.

Whilst I have been based in London since 2011, my practice is underpinned by traditional Japanese craft techniques and aesthetics and also, through the deployment of Kakishibu, a produce unique to Japan. My craft is heavily influenced by my cultural roots, especially Japanese philosophy and ideas regarding life cycles.

Everyday landscape and natural materials. I am particularly drawn to the lightness, flexibility and delicacy of paper, which conjures up images of bird wings, fluidity and the elegant movement of birds.