Undulation has a philosophical reference to Heraclitus’ Panta Rhei – that everything is in constant flux. I express this concept artistically through wavelike forms. My work is all different, there is not one piece like the other. It also represents a communication continuum through the material element.

I worked on a head sculpture in Carrara marble during the pandemic. It was a daring attempt to figuratively sculpt a head by applying the cross-section technique. This required a high sense of proportion and detail to execute properly. It took me around five months to complete, and I had no potential buyer – just my free exploration.

The signature design of my tableware stems from the hand and how it curves to contain what it is holding. It requires a process of understanding material properties and patiently refining form, proportion and function, which is essential to sustainable design. Eating from a small sculpted plate must be a memorable sensory experience.