Gathering inspiration from the sea
- Jeannet’s background as a textile artist informs her artistic practice
- Her work features natural materials, including locally sourced rockweed
- She learned pleating from a master and is a self-taught coiled vessel maker
The Covid pandemic forced Jeannet Leendertse to move away from creating textile cowls and scarves into a new creative area. “I was making all these fancy accessories but they were not going anywhere,” she says. A walk along the coast near her Maine home sparked an epiphany. Jeannet wondered if a local type of seaweed could be used in fibre art. Through trial and error, she developed ways to harvest, work with and preserve rockweed. In her decorative pieces, Jeannet coils and stitches it with waxed linen thread to form vessels, while in her three-dimensional wearable objects, she evokes the life rippling under the water. From baskets to pleated accessories, her artworks mirror her surroundings. “I want my work to have a strong connection with the natural environment,” she says. As a transplanted native of the Netherlands, Jeannet continues to explore nature and a sense of belonging.
Interview
- What would you like people to take away from your work?
- I want to remind people of the value of our natural world. A lot of people are not aware of seaweed, or consider it a nuisance, that green slippery stuff you have to get over before you get to the water. When people see my work, I hope they look at it differently.
- How do you keep the rockweed from decomposing?
- I forage it fresh and keep it cold while I am working so it never decomposes. After it has dried, I finish it with a mixture of beeswax and resin.
- Has your childhood influenced your approach?
- I have come completely full circle, doing what I did when I was eight. Growing up, I practiced weaving, knitting, crochet and sewing on my grandmother’s machine. I learn and develop techniques as I find new ways to approach materials. I aim to bring about fresh, unexpected work. I enjoy problem solving and the excitement of making new discoveries.
- What techniques do you use to create your pleated accessories?
- As a graphic designer I was used to printing on fabric. I started looking for ways to make the fabric more three dimensional. That led me to study pleating and to explore Shibori stitching on different materials like wool and silk organza.
Jeannet Leendertse is an expert artisan: she began her career in 2014
Works
Where
Jeannet Leendertse
