Jeanett Knipschildt

Weaver

Colourful softness for reflection

Jeanett attended a hand weaving workshop with Maryanne Moodie and was deeply inspired to shift paths
Her wool sculptures were exhibited at Copenhagen’s 3 days of design 2025
She recently opened her own gallery and holds workshops at Dyrehøj Vinyard

Living for many years in London and Brooklyn, Jeanett Knipschildt returned to Copenhagen to set up her studio in 2018. With a degree in graphic design from UCE and further related studies at Central Saint Martin’s, SVA, and Parsons, her contemporary work blends wool weaving, and an exploration of colour and acoustic function. “I am never afraid of the unknown and untested,” says Jeanett. She enjoys innovating on her material by applying a variety of traditional techniques learned while traveling in Japan, Vietnam and Peru, to create handwoven, sculptural and sustainable art with acoustic properties. From laser-cut wood and recycled acrylic to responsibly sourced German merino wool, Jeanett is careful about sourcing her materials. “I love contrasts in many forms, bringing together the past and the future to create new levels of aesthetics,” she adds.

Interview

Which skills define your practice?: A mix of traditional weaving techniques with an eye for new shapes, daring and colorful harmonies, and modern twists of contrasting materials. I like viewers to reflect on the balance between opposing forces and to consider how these contrasts shape both the physical world and our inner lives.
How did you find yourself working with wool?: I experimented with different art mediums, from drawing and painting to screen printing and collage. I trained as a graphic designer working for many years in London. Moving to wool and textile sculpting felt like a natural extension of that journey.
Do you have any advice for those who are starting out?: Experiment in your chosen art medium and ask the frontrunners for advice. Do not be afraid to listen to advice from people you trust, and even adapt your art according to trusted critics without losing your soul. It is okay to be commercial about your art so you can make a living from it.
Could your craft be considered in danger?: No, I believe hand weaving can always develop. The mix of materials can be broad —there are no limits. Even in a world where digital art such as NFTs flourish, most people still love to be surrounded by physical art that makes you feel real and grounded.

Jeanett Knipschildt is a rising star: she began her career in 2018 and she started teaching in 2018