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Carlos Meira

Paper artist | Curitiba, Paraná, Brazil

Capturing cultural memories in paper art

  • Carlos’ works reflect colour and collective memories
  • He has held eight solo shows, including travelling exhibitions across Brazil
  • His influences include Brazilian illustration, Matisse and Tarsila do Amaral

Carlos Meira creates colourful paper sculptures by painting, cutting, folding and rounding pieces of paper, then gluing them to form 3D compositions. During his time in advertising, he discovered Leo Monahan's pioneering paper sculptures. “I was captivated, and I aspired to create something similar, one day,” he says. 1992 marked Carlos' journey with paper as he tackled an advert design in a new way. “I brought the ad to life through paper cuts instead of ink. Even though it was basic, it was well received, which encouraged me to keep going," he explains. Carlos later also shifted to illustration and focused on the bas-relief technique. Today, his work is defined by a vibrant palette with colours that celebrate Brazil’s fauna, flora and folk festivals.

Interview

©All rights reserved
©All rights reserved
How does your work reflect Brazilian culture?
When I began my journey in paper art, my pieces were always colourful, which led to invitations to depict Brazilian themes. My first exhibitions explored the folklore and cultural life of Santa Catarina island, and paid tribute to Rio de Janeiro’s carnival.
Who or what inspires your work?
I am fascinated by Matisse’s cut-outs and J. Carlos' Art Deco style. I also grew up with Turma da Mônica comics, imitating Maurício de Souza’s line. Other lasting influences include Magritte, Escher, Tarsila do Amaral, Juarez Machado, Ziraldo, Norman Rockwell and Benicio.
Do you have any dream projects?
During the pandemic I explored 3D paper forms, creating a bird and three intricate fish. With unlimited resources, I would stage a large exhibition of paper panels and suspended works inspired by aquatic life. I have already created some sketches.
How do you view paper, known as fragile, as a lasting medium?
I still keep one of my first paper sculptures, made more than 30 years ago. This sense of impermanence fascinates people, with paper being the first creative material we encounter in early childhood. I believe this emotional memory and its fragility are why paper art remains so captivating.

Carlos Meira is a master artisan: he began his career in 1992 and he started teaching in 2001


Where

Carlos Meira

Address upon request, Curitiba, Paraná, Brazil
By appointment only
+55 41987316080
Portuguese
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