©Brenton McGeachieUntitled ii from the Embodied series
This black glass sculpture is made with the slumping technique to form an object reminiscent of folded fabric standing upright. The form is thin; it has sharp edges yet a sense of softness. The surface has been sandblasted to remove shine, then placed in the kiln to fire-polish, achieving a satin-like surface.
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Madeline’s black glass works explore themes of the body and the land
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