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Thomas Hoadley
©Thoma Hoadley
Thomas Hoadley
©Thoma Hoadley
Thomas Hoadley
©Thoma Hoadley
Thomas Hoadley
©Stephanie Hoadley
Thomas Hoadley
©Thoma Hoadley
Thomas Hoadley
©Thoma Hoadley

Thomas Hoadley

Ceramicist

Lanesborough, MA, USA

All in for nerikomi

  • Thomas' ceramic practice is grounded in the ancient Japanese nerikomi technique
  • He opened his workshop in 1978
  • Many of his works are displayed in museums and galleries worldwide

Following a college art degree, Thomas Hoadley delved into pottery and soon discovered the ancient Japanese nerikomi ceramics. Inspired by the craft aesthetic of several legendary Japanese Living National Treasure artisans, he began experimenting with coloured clays and developed a personal approach to the ancient practice. Thomas stacks and manipulates slices of clay of different colours, discovering that a technical 'mistake' can often lead to a new design. He juxtaposes a variety of patterns which vary, in both design and colour, between vibrant and quiet, some displaying a degree of illusionistic depth. “The world needs beauty,” says Thomas when asked about the message behind his work. This philosophy has guided his research around the nerokomi technique.

Thomas Hoadley is an expert artisan: he began his career in 1973.

INTERVIEW

The patterns and colours in nature such as slices of agate, seashells and flowers, as well as fabric design and even magazine ads all inspire my imagination. One of my earliest pieces was a brown and white bowl inspired by Florentine marbelised papers.

I have learned to be patient and to take my time in carefully creating my works. I have also learned that I have brought joy to hundreds of people who have seen or purchased my work.

When my pieces are finished and still bone dry, I spend hours sanding each one. After the first firing, I carefully wet sand the bisqued pieces, which are then high fired and wet sanded again.

I love my independence and freedom in creativity. Above all, there is the encouraging international reception I have received which has led to have my work displayed in many museum collections, which fills me with pride.