Pieter Wyseur
pwkeramiek
Ceramicist
Oordegem, Belgium
Layers of landscape views
- Pieter specialises in the Japanese nerikomi ceramics technique
- Rooted in aerial photography, his patterns reflect natural sceneries
- He was honoured with the bronze Arsène award for his master’s project
Pieter Wyseur ventured into the world of ceramics at the age of 13, when he first experimented with clay in secondary school. After obtaining a master’s degree in visual arts with a specialisation in photography, his fascination with ceramics continued to grow. Inspired by Cody Hoyt, Pieter began to explore the Japanese technique nerikomi, immersing himself in this meticulous process. “People often think the patterns are painted onto the surface. They often comment that they have never seen anything like this before,” he says. In 2024, Pieter's graduation project earned him the bronze Arsène award from the KUNSTacademie in Wetteren. He now shares his expertise through workshops in his Oordegem studio.
INTERVIEW
I want to take the viewer into a universe of fragility, refined patterns and intriguing forms. My goal is to create patterns that spark curiosity. If someone says, “I have no idea how you made this,” that is when I know I succeeded. For me, it is all about the element of surprise.
Nerikomi is a Japanese technique in which different colours of porcelain are layered and stacked on each other to create patterns. Instead of decorating the surface with a glaze, the pattern runs throughout the entire piece, making it visible even after shaping and finishing.
I draw inspiration from nature, especially aerial landscape photography, which often serves as the foundation for my nerikomi patterns. If you look closely at my pieces, you will see landscape fragments. The visual elements of lines and direction are also recurring themes in my work.
My work reflects my attention to detail, precision and refinement. My pieces are often colourful and joyful, and I think these elements mirror my personality. I love taking time to create patterns, often losing myself in the process and its endless possibilities.
