Interview

• How did you start making paper?

  I was searching for new techniques for projects, and I found a woman in Jordan, an artist herself, who taught me how to make paper. Later I did lots of experiments and finally developed my own techniques by adding okra, Armenian herbs and other materials.

• What’s your inspiration for your prints?

  My main inspirations are old scripts, manuscripts and history. For example, in 2006, a whole grave of Armenian cross-stones was destroyed in Julfa. I was so sad that I couldn’t stop thinking about recreating them on paper. I sort of gave them a second life, and this is how I struggle to preserve my culture.

• How do you express tradition and innovation in your work?

  I firmly believe that the old techniques and traditions can be turned into something innovative. With my prints in various languages, maps, and cross-stones, I want to show that the old can be turned into new. We can’t read those scripts, but they can be an art piece to look at.

• What's been the most memorable event in your career?

  I think one of the most memorable experiences was when I was presenting my work at the Armenian Pavilion at the 55th Venice Biennale. It was a great experience and a dream, as it was located next to the old Armenian printmaking exhibition on Saint Lazarro island.