Isabelle de Borchgrave

World of splendour

• Isabelle crafts masterpieces from rag paper
• Her creations have been shown in major museums around the world
• Her work touches on art, fashion and design

I say yes every time, as each time I am led down a new road, says Isabelle de Borchgrave. Perhaps because of this 'can do' attitude, the Belgian artist is always involved in the most exciting projects, crafting vibrant universes from the simplest of material: paper. Through various elaborate techniques of painting and sculpting, she creates trompe l’oeil masterpieces. Isabelle's fascination in fabric and its representation throughout art history has led her to produce impressive collections of dresses. Behind each garment, the paper becomes a subtle expression of textures, pleats, trims or jewels. From her knowledge of art and her insatiable desire to find new forms of expression, Isabelle brings her paper creations beyond fashion to painting, furniture design and decoration, being the subject of many exhibitions.

Interview

© All rights reserved

© All rights reserved

Where do your inspirations arise from?

My inspiration comes from travelling. Each year I have a new theme, a new discovery. I need to travel: I go somewhere new for a few days, carrying my notebooks with me. Everything comes from a visual memory, the memory of travel.

What do you like most about your work?

I love painting the most. It is an integral part of my life. When I'm not feeling well, I paint. Painting is something necessary, for me it is as important as breathing. I love to be able to see the depth of colours, their intensity. Colour is very therapeutic.

Do you consider yourself more of a painter, artist or artisan?

For me, to be a good artist means you have to be a good craftsman, which requires a lot of humility. The more you know about craftsmanship, the more interesting it will be. I have lots of respect for artisans. It is part of my research, in every project.

If you could choose one memorable moment in your career what would it be?

My work tracing the history of Mariano Fortuny. I was thrilled when the city of Venice offered me this project. He has always had a strong influence on my work, I consider him to be my spiritual father. Telling the story of his dresses and narrating his inspiration was a truly meaningful experience.

Isabelle de Borchgrave is a master artisan: she began her career in 1970 and she started teaching in 1980

Where